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<![endif]--></p>
<p> </p>
<p> </p>
<p>I tried, but somehow, I just can't get it. I
never could.</p>
<p> </p>
<p>I dabbled with non-fiction and I thank
those of you who commented on the disability living piece, but writing this
stuff is just not me.</p>
<p> </p>
<p>I always say that by the time I get a few hundred
words in, I can feel a novel coming on. Well, it's happened again and chapter
one of <em>Siren </em>is up on Arena Book
Chapters.</p>
<p> </p>
<p>You'll notice a lot from it which you're
probably already aware of. A man recuperating in Tenerife after a heart attack. Write
from life, that's what I always say. There's something else in there, too. A girl
turning up in a dream and telling him she'd like to see him again. Check out my
blog and the post entitled <a href="../blogs.php?action=show_member_post&ownerID=11&post_id=7467">In Dreams.</a></p>
<p> </p>
<p>It's at this point that the novel and real
life part company. I didn't have a heart attack before I flew off to the
Canaries and the former colleague mentioned in my blog is still very much alive.</p>
<p> </p>
<p>The first 1,000 words are up on Arena, and
they are raw, with only minor edits, hot off the word processor. They took less than 4 hours to get down.
I welcome all feedback.</p>
<p> </p>
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<![endif]--></p>
<p>You may have been wondering where I've been for the last
week. On the other hand you may have been saying "thank god, for a bit of peace and
quiet."</p>
<p> </p>
<p>I've been busy writing. In the space of this last seven days
I have finished two books which have been loitering on my hard drive for the
last year or two.</p>
<p> </p>
<p>I'm in the final stages of proofing <em>DW's Guide to Holidays,</em> which will go out as an ebook on Smashwords
in the near future. <em>Voices</em> is the other
one, and it has already gone off to a publisher.</p>
<p> </p>
<p>At 118,000 words, <em>Voices</em> is not the longest piece I've written, but it's one of the best, even if I do
say so myself. A psychohorror/thriller/sci-fi, it started life, like most of my
works tend to, as a consequence of issues in my own life. I'm very deaf, and at
the time, I had a broken ankle. How do you get from that to a full length novel? Well isn't that what we're all about as
writers?</p>
<p> </p>
<p>It's what I love about writing full length fiction. Take any
trivial event in any day of the week, ask yourself "what if ..." and take it from
there. The Haunting of Melmerby Manor <em>(plug
plug)</em> came about after my wife and I stayed in a seaside hotel which was
ten times spookier than Norman's place in <em>Psycho</em>.
Every time I left our room and walked to the lift, I kept expecting to see the
Grey Lady wielding a machete.</p>
<p> </p>
<p>That same hotel gets an oblique mention <em>DW's Guide to Holidays</em>, which hilarious <em>(in my opinion)</em> set of grumbles
should be available within a week or two. Watch our for the plugs on this and
other sites.</p>
<p> </p>
<p>I'm thinking of following it up with <em>DW's Guide to Arthritis</em>, <em>DW's
Guide to Marriage</em>, <em>DW's Guide to Movies</em>,
<em>DW's Guide to DIY</em> and <em>DW's Guide to Sex</em> (but according to Her
Indoors that last one's likely to be more of a pamphlet than a book.)</p>
<p> </p>
<p>And talking of health, that's also been on my mind this last
week. I'm now getting nerve spasms in my leg, and they're not the pleasant ones
like when my knee twitches and I kick some brat up the backside. This feels like
someone has stabbed me with a pair of blunt scissors. It's all down to Angie's
gramophone. They nicked a nerve when they drilled a hole in my leg. Either that,
or Carol has made a voodoo doll of me ... again.</p>
<p> </p>
<p>And I've had to take the dog to the
vets. He has a bad chest. I think he's been smoking my ciggies when I wasn't
looking. Cheeky sod. Why can't he buy his own?</p>
<p> </p>
<p>There's no justice. I've just turned 60 and stopped
paying for my prescriptions. Now I have to pay for the dog's.</p>
<p> </p>
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<![endif]--></p>
<p> </p>
<p>About 2 years ago Virtual Tales, an American
publisher, put out one of my novels in paperback. Understandably chuffed to
bits at having my name on the front cover of a real book, I was nevertheless
disappointed with the result. At Virtual Tales' insistence, the spelling in <em>The Haunting of Melmerby Manor</em> was
changed from British English to American English. Over and above that, I had to
explain many of the terms and gags used in the text, and there was some confusion
over idioms. For example, ticked off in England means you've been scolded. In America
it means you are fed up.</p>
<p> </p>
<p>The upshot of all this was that I lost
interest in what I had planned as a multi-book project. I made some
half-hearted attempts to place the sequel(s) but never too seriously.</p>
<p> </p>
<p>A couple of weeks ago, Mo asked
whether I was working on more Spookies tales and I answered no. I was developing
them along different lines, but not specifically Spookies. Afterwards, I took <em>The Haunting of Melmerby Manor</em> from the bookshelf
and re-read it. Surprise, surprise, it's not as bad as I thought. It's littered
with spelling and grammatical errors which I never caught on the final
proofreading <em>(and neither did the editor)</em> but these were nothing that could not be corrected. Not only that, but I completed
a rough draft of the next title in the series, <em>The Man In Black</em>, and I'm now working on the third, <em>I-spy</em>.</p>
<p> </p>
<p>Spookies is back on the agenda.</p>
<p> </p>
<p>So for those of you who don't know,
here's the bottom line on Spookies.</p>
<p> </p>
<p>They are essentially ghost stories; supernatural
thrillers with a slight twist. Three members of the team are human, the fourth is,
himself, a ghost. The key protagonists are Sceptre Rand <em>(real name Lady Concepta Rand-Epping, Countess of Marston)</em> Pete Brennan,
a disgraced ex-policeman turned private eye and Kevin Keeley, a former
electrician turned wheeler dealer. Sceptre's butler, Albert Fishwick, who was killed
on the first day of the Somme, is the fourth member of the team. The team's
name comes from the initials of the lead characters: Sceptre, Pete, Kevin:
S-P-K: Spookies.</p>
<p> </p>
<p>The problem with ghost stories is they're
always set in draughty old manor houses. I wanted Spookies to be different, so I
set the first story in a draughty old manor house ... but I added a criminal
subplot, interwoven with the hauntings, and I had apparitions turning up all
over the place, including a council flat rented by the team, and a sleazy nightclub.</p>
<p> </p>
<p>For book two, <em>The Man In Black</em>, I set
it in a public school, and the world of pop music and for the third, I've gone
really ambitious and linked the hauntings to a borrowed painting which is hung
up in one of the rooms in ... wait for it ... the Big Brother House. For obvious
reasons, I haven't called the fictitious TV series Big Brother. I may be daft
but I'm not totally stupid.</p>
<p> </p>
<p>For now the work is flowing. I have
at least three more books planned. But there is a problem. In order to lend
some kind of reality to <em>I-spy</em> I'll
have to watch a few episodes of Big Brother.</p>
<p> </p>
<p>There's always a downside.</p>
<p> </p>
<p><strong>If you can't be bothered reading this, you can listen to it, <a href="http://audioboo.fm/boos/154719-boaring">here</a></strong></p>
<p> </p>
<p>I know the title is spelled wrong. It's
supposed to sound like Homer Simpson saying it.</p>
<p> </p>
<p>I love writing. I love watching a
novel take shape, emerge from my mind and appear word by word, page by page on
the screen. But there are times when it is ... boaring.</p>
<p> </p>
<p>Right now I'm on the final read
through of a manuscript which is due at the publishers today. I'm at that stage
where I have written this thing, read it, corrected it, read it again, polished
and revised it, read it again and again, changed wording here and there, read
it again, cut this, added that, read it again. I've read it so many times that I
could almost recite the entire 110,000 words. And it's ... boaring.</p>
<p> </p>
<p>But it has to be done.</p>
<p> </p>
<p>One of the most vital elements in
any work, written, spoken or visual, is continuity. If you make a change on
page 10, how does it affect events on page 233? If you decide that a character's
name resembles too closely that of a famous person, so you change it, did you
catch all instances of the original? You cannot submit a manuscript with Fred Bloggs
cast as an electrician on page 13 and have someone bell him for his plumbing
skills halfway through the book.</p>
<p> </p>
<p>So you read and read and read again
until you have it just about perfect.</p>
<p> </p>
<p>Boaring.</p>
<p> </p>
<p>When the parcel arrives, you open it
with feverish hands and take out the contents. It produces a wonderful feeling to
see your name on the front cover<em>.</em> I remember
when I unpacked my copies of <em>The Haunting
of Melmerby Manor</em>. I forgot all the hours slaving over a hot word
processor, the trials and terrors, the highs and lows, the success and frustrations
that went into it. All I knew was this exhilaration at reading those magical
words ... <em>by David Robinson.</em></p>
<p> </p>
<p>The present project doesn't have a
front cover yet. <em>By David Robinson</em> is
written in Times New Roman on the title sheet, and I wrote it. That exhilaration is months away.</p>
<p> </p>
<p>For now it's just ...boaring.</p>
<p> </p>
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<![endif]--></p>
<p>I've always been fascinated by the
paranormal. UFOs, ghosts and things that go bump in the night. And I don't mean
banks crashing on the Nikkei while we're all asleep.</p>
<p> </p>
<p>To me, it's all good fun. I freely
admit that I don't know what happens after death and I'm in no rush to find
out. I don't know if the inhabitants of the planets orbiting Sirius are visiting
earth, but if they are, they must be a gang of sad sacks. With an entire
universe at your disposal who wants to come to this sorry little speck of dust?
It's like taking a week's holiday and going to Accrington.</p>
<p> </p>
<p>As a novelist, the paranormal gives
me great scope. Whether ghosts exist or not is irrelevant. They do in my world.
Whether UFOs really are nuts and bolts machines full of aliens doesn't matter
to me. They are what I make of them in my novels.</p>
<p> </p>
<p>So a few years ago, I published a
novel entitled The Haunting of Melmerby Manor. It's still available from Virtual
Tales. I was never happy with the finished product, and efforts to write a sequel
have foundered. Still I persevered and showed it all to a publisher a few months
back. He came back to me, saying no thanks, but unusually for a publisher, he pointed
out what he felt was wrong with the project. It couldn't make its mind up whether
it was a whodunit, a paranormal comedy, or a supernatural thriller.</p>
<p> </p>
<p>I mentioned it to Greg McQueen at Big
Bad Media, and he suggested I go back to the drawing board and redraft is as a
series of young adult novels involving those perennial favourites of young
adults ... ghosts. No sex, because young adults aren't interested in sex, are
they?</p>
<p> </p>
<p>Aren't they?</p>
<p> </p>
<p>Then how come we have the highest
teenage pregnancy rate in Europe?</p>
<p> </p>
<p>I'm digressing into politics. Let's stick
to fiction, (although admittedly, there's not always a lot of difference.)</p>
<p> </p>
<p>So it's back on the drawing board. Notwithstanding
the fact that I hate teenagers and never even thought of writing for them, I'm
having a bash so watch this space.</p>
<p> </p>
<p>Me? Writing for young adults? I'll be listening to Eminem and Kylie next.</p>
<p> </p>
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<![endif]--></p>
<p>It's six o'clock on a wet August
morning. This is the fourth washout summer in a row.</p>
<p> </p>
<p>As a younger man, I used to find
inspiration in miserable weather like this. Possibly because back then I liked
to be out and about and the rain kept me in with nothing to do but roam the
landscapes of my imagination.</p>
<p> </p>
<p>Not so these days. The imagination
is still there. My head is chock full of tales, overflowing with cliffhanger
scenes, packed with sparkling dialogue. But the rain seems to dull my desire to
put pen to paper ... or fingers to keyboard.</p>
<p> </p>
<p>Greg's home from his holiday. Pretty
soon he'll be firing up the main engines on Big Bad Media and it won't be long
before we're steaming ahead under the thrust of pre-publication warp drive. If
you're listening, buddy, Voices still needs another read through from my end,
plus whatever input you may have.</p>
<p> </p>
<p>Beyond Voices, there are other
projects bubbling away under the surface, each one trying to fight its way out
of my consciousness and onto the screen. And much of the work, particularly on
Voices, needs to be done in the next couple of weeks.</p>
<p> </p>
<p>But I'm in the doldrums. I'm finding
it hard to muster the energy. My get up and go has got up and gone.</p>
<p> </p>
<p>You see? Even my gags are old and
stale.</p>
<p> </p>
<p>When you work for an employer,
finding the spark of motivation is easy. He says, "Do it or you're fired," and
you do it. When you work alone, at home, tucked away in that corner designated
your "office" there is no one to threaten you, other than the missus, and
threats from her are easy to ignore. She never means them anymore than I mean
it when I threaten to cut her off at the credit cards.</p>
<p> </p>
<p>It's all in there somewhere. Deep
down, beneath the indolence and ennui, the fires are stoked and they need only
to be lit.</p>
<p> </p>
<p>But every time I strike the match,
the rain puts it out.</p>
<p> </p>
<p>If, like me, you can't be bothered, then maybe you'd prefer to listen to this post. You can do so <a href="http://audioboo.fm/boos/162067-anyone-got-a-light"><strong>here</strong></a></p>
<p> </p>
<p> </p>
<p>After I replied to a member's
request via the site email and the message didn't get through, it occurred to
me that others may be having a similar problem.</p>
<p> </p>
<p>If you tried to contact me, requesting
a critique of your Novel Beginnings entry, and I haven't yet responded to you,
please email me on <a href="mailto:Dwrob96@aol.com">Dwrob96@aol.com</a> with an
email address where I can get back to you.</p>
<p> </p>
<p>If you were not aware of the offer but would like a critique, please see the Novel Beginnings results
page <a href="../novelbeginnings/html/judge.html">http://www.writelink.co.uk/novelbeginnings/html/judge.html</a> for terms and conditions.</p>
<p> </p>
<p>I've started yet another new blog,
but it's a bit more serious this time <em>(which
is highly unusual for me.)</em></p>
<p> </p>
<p>I'm working on a new project
entitled <strong>Channels</strong>. It's a psycho thriller with horror overtones. As is the custom
for me, it places ordinary people in extraordinary situations.</p>
<p> </p>
<p>I may post the odd snippet of the
book on the blog, but my main concern is blogging the production from typing <em>Chapter One</em>, which I did on November 6th,
to etching in those final words <em>The End,</em> planned for January 5th. About two months.</p>
<p> </p>
<p>Target wordage is 120,000.</p>
<p> </p>
<p>Many of you may ask, "How can you
write 120,000 words in 60 days?" It's easy. Remember how Jack Nicholson did it
in <em>The Shining</em>? My prose is slightly
more varied than repeating, "All work and no play makes Jack a dull boy," <em>ad nauseum, ad infinitum</em>.</p>
<p> </p>
<p>The target completion is for the
first draft only, and equates to 2,000 words per day, which is not difficult
when your life is as sad as mine.</p>
<p> </p>
<p>The blog should chart the highs and
lows of getting the work down, then editing, revising, polishing until it's
ready for submission in the latter half of next year, when it will go to my
appointed editor. Even held at gunpoint, I could not disclose that editor's identity
to you, but she's a well-known lady on this site <em>(hello Mo.)</em></p>
<p> </p>
<p>If all goes according to plan, <strong>Channels</strong> should be available in time for Santa's visit next year. But if all goes according
to plan, I shall eat my Y-fronts, to paraphrase Bart Simpson.</p>
<p> </p>
<p>If you want to keep tabs on the
process of writing and editing a full length novel, you can do so at <a href="http://dawr.wordpress.com/">http://dawr.wordpress.com/</a></p>
<p> </p>
<p>You can subscribe by email so that
you get to know when new posts appear. You can also pick up the new posts on facebook and Twitter. And can also comment. As ever, I welcome
constructive criticism.</p>
<p> </p>
<p>Thank you all in advance for your indulgence.</p>
<p>I came across a free e-book. I won't
name it or the author because I've no particular desire the plug the thing and
no wish to embarrass the writer, but in the first four pages I found the
following errors.</p>
<p> </p>
<p>Whitechapel was spelled <em>white
chapel</em>. And this was on the publicity page!</p>
<p> </p>
<p>"<em>I bet it has flees</em>". A character
talking about old clothing. Did the writer mean fleas?</p>
<p> </p>
<p>We next meet a <em>work scared</em> barman.
He was terrified of work, or are we supposed to translate it as work-scarred?</p>
<p> </p>
<p>Talking about a pub, one of the men says, "The <em>White
Swans</em> not far ..." How do we interpret that? The White Swans are not far, or the
White Swan's not far?</p>
<p> </p>
<p>Another character was described as
<em>anemic</em> instead of anaemic, after which one of the men said his pal was about to
"<em>complement</em> your friend." He was going to add to her rather than compliment
her.</p>
<p> </p>
<p>I couldn't read further than those
four pages, and it occurred to me that this books is overpriced at free. I did
some research on the writer which led me to a website run by a small bunch of
writers who "came together <em>collectivly</em> to self-publish ..."</p>
<p> </p>
<p>That's not a typo. It's exactly how
the "about" page describes the site.</p>
<p> </p>
<p>There are any number of possible reasons for these problems.</p>
<p> </p>
<p>The writer could be lazy. The writer
may not have proofed the M/S properly before putting it online as a finished
work. The writer could have uploaded an earlier version by mistake and not
realised it yet. The writer could also be ignorant of basic spelling and
grammar, which means what? He/she should not be writing? Of course not, but
he/she should be looking to improve the basic skills.</p>
<p> </p>
<p>To those who say, "you're just being
over-picky," let me pose a question. Would you ask a plumber to repair your
car, or a gardener to install your central heating? Then why ask someone who
has no conception of written English to entertain you with fiction?</p>
<p> </p>
<p>The book in question raises several
issues related to self-publishing.</p>
<p> </p>
<p>Novels take long time to perfect,
and even then we don't always get it right. I can write a full-length novel in
a month. That's 100,000+ words. The final draft, however, usually takes between
one and two years. Before it goes to any publisher, before I even consider
self-publishing, I have it read by another writer or editor and I take their
feedback seriously. Where I disagree with it, I will try another reader or two
and take a consensus opinion. But unless they are blatantly wrong <em>(which
doesn't happen often)</em> I never argue about errors in spelling, punctuation and
grammar.</p>
<p> </p>
<p>The piece in question, which is over
40,000 words long, has obviously never been read by a professional writer or
editor. Even the prose of the blurb on the e-book site is questionable.</p>
<p> </p>
<p>This kind of poorly written fiction
inevitably tars the self-publishing industry with a brush that is not
justified.</p>
<p> </p>
<p>Times are tough for writers. It's
near impossible to break in with the mainstream houses. Your work needs to be
of the highest calibre and it needs to drop into the submission editor's lap at
the right time. If, like me, you turn out average pulp fiction, your chances
are nil. If you can't find an independent willing to take the risk, you're
faced with self-publishing or not at all. I've been lucky. I've found
independent houses willing to take my work, but even so I've published a couple
of titles off my own back and I now there are other members who have, too.</p>
<p> </p>
<p>And there are many fine self-published
volumes out there, but what chance do they have if the reader drops onto poor examples
like the one above? One look at it and
the potential buyers says, "Forget it. I'll check out the biggies."</p>
<p> </p>
<p>So what brought on this particular diatribe?
I've just self-published a full-length e-novel, and it's priced at ...<strong> FREE</strong>.</p>
<p> </p>
<p><em><strong>The Man In Black</strong></em> is not a classic. It's
a Spookies mystery <em>(for those who remember The
Haunting of Melmerby Manor)</em> a supernatural thriller with a little humour
here and there. Despite the price, there is no skimping. It runs to about 90,000 words and it's available for download in a variety of formats from
the following url: <a href="http://www.smashwords.com/books/view/27623">http://www.smashwords.com/books/view/27623</a></p>
<p> </p>
<p>It's destined to become a marketing tool,
but for now, there are no strings attached. There may be errors in it. If so,
they won't be in the first four pages, and there won't be quite so many as
those in the above example.</p>
<p> </p>
<p>Enjoy, and if you're so minded,
please email brickbats and bouquets to <a href="mailto:fans@dwrob.com">fans@dwrob.com</a></p>
<p> </p>
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