Writing Rules
Great, aren't they? Show don't tell. Dispense with the adjectives. Start in the middle, show any backstory along the way. Reader's on a need-to-know basis. Oh, and write active, not passive.
Who's wrist hasn't been slapped for that last one. Don't write “The ball was thrown by Jake,” say “Jake threw the ball” and make it direct, forceful, immediate. It's true, the construct will make your sentences more pithy, the story will go along faster.
But guess what, I've found myself changing it back to passive quite a few times recently. As ever, it made me think about these “rules”. They're like pie-crust. Not always necessary and made to be broken.
The thing about the active versus the passive is, it's there for a reason. Life is not always active, and quite often we have things done to us. “Jake was beaten by Tom and Dick” is a materially different sentence from “Tom and Dick beat Jake”. It really depends what effect you're looking for as to which one you'll choose.
The rules are all right. They help. They'll get a story crafted, it'll be readable. But there's nothing like ignoring a rule and knowing that it really works. It's through these breakages and cracks that a really brilliant story will often shine through.
- I seem to almost always write in the active. At least that's what my spell check tells me. I think sometimes writing in the active puts limitations on the writers voice. Do publishers prefer the active or passive? Does it make any difference to them? I bet if you checked someone like Stephen King's work it will not be all active. It seems it's OK to brake the rules for some.
- I usually break every rule in the book{NOT THAT i KNOW ANY} I write what comes into my head and hope it turns out all right. Molly
- As one who knows nothing of the rules does that mean I'm a rebel? ;-)
- Rules are only there to be broken. A lot of 'modern speak' is creeping into fiction now, the book I am reading at the moment is full of it. I think I must be getting too old .
- As I almost always write in the first person, I find it's my protagonist who dictates how I write. As Ann says, the passive voice works really well for some pieces even though a lot of writing tutors frown on it and I've used this a lot, without dialogue too which is again frowned on these days.
In the end it is the story which counts. If you can grip a reader from the outset and keep them wondering then it doesn't matter a jot about how active or not your writing is.
